Tonality is the issue in landscape work, not grain. The best tonality around these days appears to be in Kodak Technical Pan and Ilford XP-2. Tech Pan is easy to process in the Photographer's Formulary kits, which give a useful increase in film speed. XP-2 can be run in any 1-hour-photo-lab's C-41 (color!) line, though if you get proof prints they'll look terrible (all brown and gray). Avoid anything that says T-Max. Avoid Tri-X Profesional, though the ordinary Tri-X is only marginally bad. Above all, use a tripod. Shoot everything you see; film is a lot cheaper than the cost of getting back to Utah to reshoot. Good luck and bes(posted 9130 days ago)