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Response to Photo film history in the last 20 years

from Conrad Hoffman (choffman@rpa.net)
Someone should write a book... Hopefully you'll get a bunch of responses, as all this depends on an individuals perspective. IMHO, any film that's discontinued is killed off because it isn't making enough of a profit. Kodak just didn't sell enough Panatomic-X to justify making it. Word is that T-Max films use less silver in their manufacture than traditional films, so they're cheaper to make. They look great if you go by technical specifications, but I'm not a big fan of them. Processing is fussier and they don't have the look I want. Highlights are often difficult to control. I prefer traditional films, mostly FP4+, HP5+, Plus-X, and Tri-X. I like some toe and shoulder in the curves, not a straight line. B&W films in general are a shrinking market, so choices will change and sometimes become limited. I also did more photography in the '70s. Though my equipment is far superior today, I think it's harder to get prints I'm happy with. Paper curves and tones are different and you have to experiment to come up with a combination you like. Lenses have more contrast and less flare. On a positive note, RC papers have improved greatly, and there are some high end fiber papers that are probably better than anything from the past. Tri-X still works, as does Plus-X, but as Kodak scales back B&W offerings, many people are moving to Ilford and others brands. You might want to pick up a copy of Anchell & Troop's The Film Developing Cookbook for the insights it has on films and processing. Another good book that helps understand tonal placement is Ctein's Post Exposure. Highly recommended.
(posted 8242 days ago)

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